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The hair on the face – a matter of fine balance you know. I know that without “the bearded look” he looks like a kid, but too much hair (as in this case) reminds me unpleasantly of Neanderthal man. Abhishek does act but has far too much hair on his face to deliver coherent dialogue. Hrithik does try to act but his character is so pathetically developed that I didn’t believe it (yeah, inspite of those wash-board abs). A is a super-whiz he messes around with various robotic gadgets, all of which appear to be more intelligent than any character in the film. In an effort to be even more cool, they whiz about on fancy motor-bikes, roller-skates and speed-boats. Of course Aishwarya is naturally “affected” so this doesn’t make a difference in her acting. The director in his desire to be “cool” gets his characters to talk affectedly. The “depth” of the film thus is akin to that of the Yamuna in a Delhi summer. The story, such as it is, is featherweight (poof ! and it’s gone !) and the characters aren’t developed at all. The acting is pathetic and the dialogues are as cheesy and corny as they get. Disjointed pieces of fawning adulation, stuck together, do me no good. I mean, I can handle adulation, love, obsession even, but let’s pin all the above onto a decent story please. We see Rai, Bachhan, Roshan, Basu (take your pick) in slow motion, from different angles, in different clothes, in different pouts and in different stages of hirsutism (the latter for Abhishek only). Every 2 minutes of dialogue is followed by annoying background music and some more fawning adulation of some or the other character. The background music is incessant – and it’s not very good either. The story is a spindly little thing on stilts. Repetitive shots of smug hero/heroines showing them contemplating/smirking do not a film make. There is 1 poorly-done fight sequence, no suspense, no drama and no pizzazz really. There is some action, but it’s done primarily to idolize the star (what he’s wearing, how high he jumps etc.) who’s doing it rather than move the film ahead. There’s precious little going on in the film.
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and the other as Shonali’s twin sister and Brazilian bikini-clad beach babe Monali (exercise to the reader : do they call her Mo ?). And Bipasha Basu has a double role, one as ACP Shonali Bose (they call her Sho) helping ACP Dixit catch Mr. Rimi Sen has a walk-on part as Dixit’s pregnant wife Sweety. Rai plays Sunehri, wannabe-master-thief who wants to team up with Mr. A (Roshan) is the perfect thief pursued by ACP Jai Dixit (Bachchan) and his pal sub-inspector Ali (Uday Chopra). What I’d like to do is put up a big sign, urging all the poor sods in the ticket queue to save their money only I think the theatre owner might have a fit.
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And a day before it releases in India too – fancy that ! So, of course with all the hype, the hall is pretty full for an afternoon show, and as we leave the theatre at the end of the movie, I hear that the 7 o’clock show is sold out.
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I’m thinking it’s actually nice to be watching a new movie on Thanksgiving Day, with all the malls closed etc. The kid seated in the row ahead of us keeps crying, and I know how he feels. And not once either – he goes in for this repeat adulation thing where he camera kisses them again and again and again, actually every-time they appear on screen, until I’m sick to the gills of a hero in slow motion being thrust adoringly down my throat. If you cringed when in KANK, Karan Johar fawned over Shahrukh Khan, it’s massive cringe time for you (me, I curled up in a tiny ball in my expensive $8 seat) – because Gadhvi fawns over Hrithik and Bachchan and Rai. Halfway through it, I’m waiting for the film to pick up and show some promise. Cast : Hrithik Roshan, Abhishek Bachchan, Bipasha Basu, Aishwarya Rai, Uday Chopra